Me back and said, “Yo, Havoc ended up rapping on that.” 'Cause he ended up Then, about a year-and-half later his manager hit I was sending stuff to everybody and I sent him that beat that He was from New York and he was kind of affiliated with Mobb DeepĪnd G-Unit. When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. Producing a track for Havoc and Mobb Deep. Prevailing ethic in hip-hop - creepy or moody or lo-fi. Mobb Deep kind of messed with that sound, but ever since that hasn’t been the Just the overall mood, the vibe of it, is kind of creepy and haunting. The stuff I make myself I try to sound like that. I like the quality of it, the lo-fi stuff, kind of like what I do. I guess it’s the whole mood of it overall. What is it about that beat that stands out to you? Right around the time I started making beats this is what I was listening to. Yeah, yeah, this is “Genesis” by Prodigy. Maybe we should play this Prodigy record to give people an idea of what you Just liked the beats a lot, so I would say that’s mostly what it was. 'cause I had no idea what they were talking about. Definitely, for Wu-Tang, definitely the beats Now, you don’t seem like a hardcore dude. When I was in high school, I was listening mostly to Mobb Deep, Prodigy, Wu-Tang a lot. Now tell us a bit about the hip-hop you were into back then. Just started messing around with that 'cause that’s really what I was into.

Then I bought some hardware, some samplers, and Hip-hop when I was about 12, and then I was only listening to hip-hop. IĪlways liked to mess around with a lot of instruments. It was just something I always liked to do. Now, I guess even before you were pushing your beats that way, what was it that drew Myself, but I started about four years ago actually trying to get it out. I wasĭoing it a long time just on my own just to show my friends and listen to

To rappers and anybody I wanted to work with, see if could send them beats. I think 2007 was when I started going online. Music out there or try to work with artists or rappers until probably about four years ago. I was about 14 years old, and I didn’t start trying to get my I started making beats just for fun about ten years ago when I was a freshman Tell us a little about your background and upbringing for those who might not

Instrumental stuff on labels like Tri Angle and Type. We’re very lucky to have with us this afternoon a young producer who I believe is spearheading a new wave of experimentalism in hip-hop

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